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Must Take More Care

by mouth 4 rusty

supported by
JOHN MATHIAS
JOHN MATHIAS thumbnail
JOHN MATHIAS Very touching and soulful. Favorite track: After.
Philippe Tremblay
Philippe Tremblay thumbnail
Philippe Tremblay the two voices, and the bittersweet folk melodies are great! Favorite track: Women and Children and Men.
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1.
After 04:40
After the giving comes the taking After destruction comes the making After the losing comes the needing And after the loving comes the grieving You really moved me You really moved me but what you've done You couldn't prove to me Couldn't prove that you could be a trusted one Your talk of wasted time was something self-inflicted "At least it wasn't what the pussy or the dick did" You really moved me, but what've you done After the taking comes the learning After the making comes the burning After the needing comes the freeing And after the loving.. Comes the grieving, comes the growing After confusion comes the knowing After the breaking comes the cleaning And after the hurting comes the meaning You keep or lose me, I keep or lose you With what we've done And if you screw me I could rise to be a vengeful one Some of your friends would say I'm harder than the mountain But show me reason and I'm shaking from the doubting You cut right through me, so now you're gone You cut right through me So now you're gone.
2.
All the things she gave me that I couldn't understand 'til now You would never give someone, I don't think you'd know how For in your selfish wisdom you would not curtail What kind of killed you then, still dominates you now And true it's best to know your enemy But you don't have to keep on sleeping with them And you, I know, will want the worst for me And I can't say I want the best for you. "All the things I wanted I could not engage, endure, enjoy No man is my father, with the care he should employ And in my desperation at the times I've lost control The loved ones I struck then are not those that I strike now" And you've recordings to remember me I wonder if you care to do And here are three I found of yours today I couldn't listen to I'm not ready to.
3.
Sleep soundly woman, where last night we fall In a last burst of lust, but there's no trust at all In rest undemanding, no knowledge or shame Of waking emotion you cannot contain I want to look on you and see only good But I know that there's lies there, and plaster and wood All cover the feelings that bubble inside Should I feel your frustration deeper than mine? If you're not in the habit of hitting women or children or men Then why'd you come wildly and strike me again? If you can't control all that rage in your head Then fuck you my friend. Your frustration turns rage and I'm standing in line Throwing your objects at this body of mine Your claws, grit teeth, your kicks, my bones I fear being here just as to leave you alone. I tried to be useful, and of course I'm no saint But I held, like an easel, your canvas to paint The smell of your poison out in the hall I was trying to take space for the sake of it all. If you're not in the habit of hitting women or children or men Then why'd you come wildly and strike me again? If you can't control all that terrible rage in your head Then fuck you my friend.
4.
"You came here as a friend, so take this cup, unwind Unclench your dirty hands and heed this good advice Your heart is heavy, but trust me now, you'll find That you won't find a lover with the last one on your mind You may have to forgive her as you always thought you might Battles are so hard on you, take a pause, some time No-one's good for anybody feeling self-unkind And you won't find a lover with the last one on your mind Forget dead feathers, forget her daisy dukes Manipulations, the partial and untruths Forgive the child who's been screaming out to you Her insults are ridiculous though some are quite sublime Forget the taste between her legs and rutting from the side The best of you is gratitude, you've forgotten that tonight And you won't find another with her death firm in your mind So take your coat off, oh tender friend of mine This boat's a safety to lay your head tonight And as the dawn breaks it will settle like the tide That you won't find a lover with the last one on your mind."
5.
The sin is the start, we know this from family And words become all, and guilt starts to form I don't think I'm rambling The cracks in your past, may not ever last Let live. A head hung in shame, give best and be bolder If you were my punishment At least it's over. The sin eats the gut, but we made our choices There's God in us all, and lucifer's call Is in our own voices So who can forgive? Grant license to live? I think we know. For deeds of the drunk, a prayer for the sober If I was your punishment At least it's over. For each acted fear, each turn of the shoulder If we were our punishment Let it be over.
6.
Still in the waking memory Sometimes I sleep to bury Long lost trust Long lost love Six homes will try to bear me Yet find I'm stationary Long lost trust Long lost love Long lost Long lost Long lost trust
7.
(Collage) 02:00
8.
The crisis is over, there's little to fear So much was perception, that much is clear Crack your chest wider, and let out your rays She said you were sunshine, you could feel that some days Through times when you don't fit yourself In anger or just down and out There's birds in your hollow of chests Like the crow or the Warlingham men screaming out But the morning is glory and nearby in the trees One hundred and forty-nine birds in their leafy cities The afternoon rolls on and a little will change These are the warmest, the greatest of days Through times when you just don't connect There is pleasure there too don't you doubt Walk the streets of your town brother Maybe you'll stroll it all out Light up your smile for the passing You'll maybe find something to please. Make do and mend, take comfort in friends Be all of the good that you know you can be.

about

Must Take More Care, Mouth 4 Rusty's 5th album

Performed by

Matt Rigsby Smith - voice, guitar, clarinet, casiotone, harmonium, radio, percussion and songs

Emma Davis - voice and melodica

Fiona Stewart - violin, string arrangements on 'The Last One On Your Mind' and 'Long Gone Trust'

Nate Trier - piano on 'The Last One On Your Mind', 'If You Were My Punishment' and "One Hundred & Forty-Nine Birds', co-arrangement of piano parts

Janine Baker - double bass, piano on 'After', 'Women & Children & Men' and 'Long Gone Trust'

Gabriel Barrett - trumpet, horn arrangement used in (collage)

Chaz Semeur - saxophone

Sarah Bear - cello, string arrangement on 'That I Could Have Done It Better Doesn't Mean I Wasn't Right'

Chris Manes - cello samples

Richard Davis - moog on 'Long Gone Trust'

Daniel 'Laish' Green - third voice on 'Long Gone Trust'

Karina 'Seafoxes' Zakri - third voice on 'Women & Children & Men'


Written through 2013, recorded the following year and into the next
by Matt at Make Do and Mend, London
Violin parts recorded by Robert Legeza, Florida
Daniel, Karina, Richard and Sarah's parts self-recorded in London
Gabriel's parts self-recorded in Tennessee

Mastered by Scott Craggs at Old Colony, Boston, MA

Many thanks to our friends, loved ones and families.
To Richard Reid, to Riccardo Attanasio, to Jack Hunter. To the little army that helped bring this album to fruition. To Louise for everything.

Ochiltree Music 2015
OM007

credits

released August 19, 2015

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mouth 4 rusty UK

Tales of living softly on the edge.

"Elegantly crafted hummable songs.."
- Rough Trade

Mouth 4 Rusty are a male/female duo playing songs about morality, love and loss, childhood, life in general and the relationships between ourselves. Simple, traditionally-inspired songs that people can relate to, hummable music based on life as it unfolds, as early folk music was.
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